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Forward Not Forgetting

by don't get lemon

supported by
Travis Benson
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Travis Benson Fantastic EP that channels the spirit of the mid-80's Manchester scene while adding a modern flare of synth-pop that transcends the cliches plagued by many bands that attempt to emulate that sound. Favorite track: S.I..
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1.
Involuntary movement is now cornered and stoic My languishing martyrdom now heroic Unfounded affection then changes direction And progresses Falling into the path of one last tear drop That with one command will stop the authority to remember A cold white ember Settles down in my eye as a prop The language is also deceitful Lapped up by the pompous people but I have the proof that you're candidly aloof Motion with no name Forward not forgetting a thing Defrauding the intellect is effortless Because the conniving subject is shiftless Aiming at the head space of projection Escapism as a form of infection Muddled in my honeycomb mind that’s incessantly listless Motion with no name Forward not forgetting a thing
2.
S.I. 05:21 video
The Spectacle is mouths agape as we to consume too soon are we being, having, appearing to everyone in an empty room? it's the fetishization of us all it's the glamorous lights of the strip mall as the pack of punters watch in awe at the dizzying heights of the stunt man's fall Sold to a lonely crowd silence twice as loud Sold to no one and all See how far we fall Spectators of profit Hearts turn to their eyes as the situation dies Spectators of profit Life is representation have I missed the situation? Sold to a lonely crowd silence twice as loud Sold to no one and all see how far we fall a monopoly of appearance on the margins of existence cause what’s good appears and what appears is good I think you know more than you should I think I know The Spectacle is ever changing The Spectacle is all consuming The Spectacle is never ending
3.
Half sick between revolting dreams nauseous knowing it’s not what it seems Everything will be the same a track record of corrupted fame I’m not gonna vote for the ghost sell myself to the devil’s host I’m not gonna give up the ghost sell myself to the devil’s host Close the door behind us exit where we came There can be a new world one in which we create It doesn’t have to be perfect but we can’t rely on fate rely on each other the builders and the students put our ears down beneath the street’s movement Because below the concrete we can hear a beach and an ocean We can destroy the pavement and its bureaucratic devotion There is a beach and an ocean destroy bureaucratic devotion
4.
Futures Lost 03:54
Haunted by the future’s past Ghosts that aren't dead or alive Enter our minds and they forever last Archival utopia strives forward and back in depression where everything goes to glow then die bleak and harrowing images flow in quick succession dreaming perfection the west will never know deserted with no hope A glimpse at what could have been Lost futures recovered I pray; amen This isn’t how we were meant to live I don’t think God will forgive The wheel retraces the paragon Hoping to find perfection again The past and future cease and carry on desperate to recover sanitized zen Trapped and liberated in temporal disjunction The nostalgia machine then erupts and malfunctions A glimpse at what could have been Lost futures recovered I pray; amen This isn’t how we were meant to live I don’t think God will forgive
5.
Idle Eyes in your idols eyes stiff from the past years away to distract do you remember when you were young? the first time you drove and the last time you moaned in the bedroom of your youth warm and alone give up and stay or pack up for one more taste did you ever think you'd be here? did you ever think you'd leave? the furthest run to the house you grew up in purple and pink streetlights in the ashtrays the longer they kiss the further they stray your idols eyes were never perfect your idle lies were probably worth it we idolized the tombs and the power my idealized basket of flowers was it your casket or was it my father's? i cried in the car for hours and hours

about

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"Deep moody vocals draw obvious inspiration from '80s new wave and post-punk classics, while the layering of almost random synth and drum machine sounds creates an intoxicating sonic collage. This atmospheric EP is refreshing while somehow extremely familiar. Our only issue with it is how badly it makes us want to dance, late at night, on a sweaty, neon-lit dance floor. Maybe next year."
- Houston Press: Best Houston Music Releases of 2020

"...there’s plenty of New Order in there, with pulsating drums and bass and synth that weaves in and out of each other, but there’s more of the Ian Curtis, even Andrew Eldritch about the vocals, as it saunters over the dance floor, bubbling and gently throbbing away, the melodies emotionally taught and memorable."
-Backseat Mafia

"... they could be a British new wave band straight from the 80’s. Then again, there’s something undeniably modern about their sound..."
-Darkness Calling

"... intriguing blend of moody 80s post punk, new wave, and ghostly disco."
-IDIOTEQ

“rich nostalgic synth melodies with powerfully persuasive vocals and provocative lyrical themes to bring a fresh and modern twist to a retro sound”
-WhiteLight//WhiteHeat

"Don’t Get Lemon fill you with 80s new wave just to pull the rug out from under you with their EP"
-The Other Side Reviews

"Every track on this EP manages to hold a sense of nostalgia through the unique array of sounds and narratives... from the honeyed synths and guitars to the brooding bass and timeless drum patterns, Don't Get Lemon does an extraordinary job painting a soundscape that's as uplifting as it is bleak"
-ISurfDarkwaves

credits

released October 6, 2020

lyrics and music by dgl
produced by r.n. and dgl
recorded and mixed by r.n. at cloudland studios
mastered by jordan richardson
cover art by anthony flores

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don't get lemon Austin, Texas

Cool-Ironic-Detached-Stylish-Danceable

Austin
Houston

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